Music

Shmueli Ungar – FIRE! (Official Music Video) | שמילי אונגר – פייער

ByShmueli Ungar June 22, 2024June 22, 2024

2024-06-22 23:01:54

Shmueli Ungar – FIRE! – שמילי אונגר – פייער (Official Music Video)

אש תמיד תוקד על המזבח לא תכבה

א פייער ברענט גאר הייליג און גוט
א פייער ברענט אין הארץ פון א יוד
וואו נאר מיר זענען, עס בלייבט אייביג ברענען
א פייער ברענט אין הארץ פון א יוד

Composed: R’ Duvid Kaufman
Music and Mix: Eli Klein & Yitzy Berry
Bridge and Post Production: Yanky Cohen
Choir: Nussi Rotman
Kids Choir: Shevach Studio
Song production: Shmueli and Shalom Vagshal
Recorded: Yossi Glick – Shevach Studios

Video by:
Schwartz Brothers Media

Cast:
Maagid Shiur – Yehuda Leib Klyman
Young Shmueli – Yossi Weber
Firefighters:
Manny Shtesl
Yitzchok Grunwald
Alter Hoffman
Shmilu Hoffman
Keys – Jacob Lichtenstein
Guitar – Jacob Morgenstern
Bass – Avrumy Noe
Drums – Motty Halpern

Special Thanks:
Yanky Fligman
Yenti Schwartz
Chief Hugh Jacobson
Doug
Malky Schwartz
Eli Knoll and Family
Avraham Kohn
Chaim Hersh Glanzer
Aba Berkowitz
Hershy Weinberger

יח”צ בישראל
בפרונט- ישראל רוזן

For bookings call or WhatsApp:
718-475-1111 – Shmueliungar@gmail.com

Source: YouTube (Embedded).
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Shmueli Ungar

Shmueli Ungar started his singing career performing for the Rabbi and the congregation in the synagogue of Kiryas Yoel, a small village in upstate New York where he was born and raised. Under the guidance of his grandfather, Shmueli developed his innate talent and devoted himself to pursuing his craft, performing locally at weddings, bar and bat mitzvahs and various simchas. In a short amount of time, his reputation grew and he became an in-demand singer, performing at high-end weddings and events across the country.

Shmueli’s music is evocative and warm, a style that is reminiscent of one of his influences, Reb Moshe Goldman of Camp Shalvah. Shmueli draws from his own life as well, creating a tapestry of music that is filled with emotion and meaning. He considers all experiences, even painful or challenging ones, catalysts music. He believes it is important, “not to ignore them, or forget them, but to make sure they’re part of the song too.”